LITERATURE
To create this literature report in a resourceful manner, the references have been grouped into 3 sections: artistic, blockchain and legal.
Each of the references contained in this report has been under the citation system: Publication Manual of the American Psychological Association, Seventh Edition (2020)
1. ARTISTIC
Académie de Nantes. Glossaires. https://www.pedagogie.ac-nantes.fr/arts-plastiques-insitu/enseignement/outils/glossaires/
Ariot, C., Cascio, A. & Mary. G. (2021). Les portraits de Hanako par Rodin, sous toutes les coutures. Technè. La science au service de l’histoire de l’art et de la préservation des biens culturels, (52), 120-129.
Ariot, C., Cascio, A. & Mary. G. (October 2020). À la recherche du visage de Hanako : cinquante portraits pour un modèle. The Burlington Magazine, 162 (1411).
Baudry, M. (2023). Sculpture – Méthode et vocabulaire. Principes d’analyse scientifique. Éditions du Patrimoine.
Chatelain, J. (1981). An Original in Sculpture. In Elsen, A. E. (Ed.), Rodin rediscovered (275-282). National Gallery of Art
College Art Association of America. (2012). Statement on standards for the production and reproduction of sculpture. https://www.collegeart.org/standards-and-guidelines/guidelines/sculpture
Cupperi, W. (Ed.). Multiples in Pre-modern art. (2014). Diaphanes
DuBoff, L. D. (1985). Bronze Sculptures: Casting Around for Protection. Journal of Arts Management and Law, 15(2), 29-77. https://doi.org/10.1080/07335113.1985.9942155
Farag, M. (2020). Materials and Processes of Contemporary Sculpture. Cambridge Scholars Publishing.
Fédération Forge Fonderie. FFFpédia : Glossaire. https://www.forgefonderie.org/fr/fffpedia/glossaire
Fédération Forge Fonderie. La Forge & la Fonderie : Matériaux. https://www.forgefonderie.org/fr/forge-fonderie/materiaux
Fundació Gala-Salvador Dalí. Artistic criteria of the Fundació Gala-Salvador Dalí in relation to sculpture and three-dimensional work. Classification proposal. https://www.salvador-dali.org/en/artwork/obra-escultorica/criteris-artistics-de-la-fundacio-gala-salvador/
Fundació Gala-Salvador Dalí. Glossary. https://www.salvador-dali.org/en/artwork/obra-escultorica/tesaurus/
Hecker, S. & Karol, P. J. (Eds.). (2022). Posthumous art, law and the art market: the afterlife of art. Routledge
Hecker, S. (Ed.). (2021). Finding lost wax: the disappearance and recovery of an ancient casting technique and the experiments of Medardo Rosso. Brill.
Institut National d’Histoire de l’Art. Lexique. https://www.inha.fr/fr/ressources/eac/lexique.html
Jones, G. (September-October 1993). The Object of Sculpture. Sculpture, 30-35.
Kramer, H. (October 21st, 1974). Sculpture Reproduction, a Rising Battle. The New York Times. https://www.nytimes.com/1974/10/21/archives/sculpture-reproduction-a-rising-battle-dispute-over-castings.html
Krauss, R. (1978). Sculpture in the Expanded Field. October, 8, 30-44. https://doi.org/10.2307/778224
Les Fondeurs de France. (1993). Code déontologique des fonderies d’art. https://www.forgefonderie.org/files/documents/Code deontologiqu 202005.pdf
Maison des Métiers d’Art de Québec. (2009). Lexique : Sculpture. http://intranet.metierdart.com/documents/lexique_sculpture_mai_2009.pdf
MoMA Learning. Glossary of Art Terms. https://www.moma.org/learn/moma_learning/glossary/
Musée Rodin. Multiples, fragments, assemblages. https://www.musee-rodin.fr/en/resources/creative-process/multiples-fragments-assemblages
Musée Rodin. Respecting Rodin’s moral rights. https://www.musee-rodin.fr/en/professionnals/respecting-Rodins-moral-right
Musée Rodin. Techniques. https://www.musee-rodin.fr/en/resources/techniques
Museo Nacional de Colombia. (2006). Glosario / Escultura. https://www.museoscolombianos.gov.co/glosario/#flipbook-df_2998/1/
Organisation Mondiale de la Propiété Intellectuelle. Les maîtres modernes en danger. Magazine de l’OMPI, August 2011 (4). https://tind.wipo.int/record/33588?v=pdf
Rico, L. & Martínez, C. (Dirs.). (2003). Diccionario técnico Akal de conservación y restauración de bienes culturales, Akal.
Serial / Portable Classic. (2015). Fonzadione Prada.
Stone, R. E. (August 2007). Direct versus Indirect Casting of Small Bronzes in the Italian Renaissance. https://www.metmuseum.org/toah/hd/bron/hd_bron.htm
The Getty Research Institute. 4 Basic Sculpture Techniques. https://www.getty.edu/education/teachers/classroom_resources/curricula/sculpture/background2.html
The Getty Research Institute. Art & Architecture Thesaurus® Online. https://www.getty.edu/research/tools/vocabularies/aat/index.html
The Small utopia: ars multiplicate. (2012). Fonzadione Prada.
Wood, J. & Potts, A. (Eds.). (2007). Modern sculpture reader. Henry Moore Institute.
2. LEGAL
Code de la propriété intellectuelle (Articles L111-1 à L811-6). https://www.legifrance.gouv.fr/codes/section_lc/LEGITEXT000006069414/LEGISCTA000006114031/#LEGISCTA000006 114031
Copyright Designs and Patents Act (CDPA), 1998. https://www.legislation.gov.uk/ukpga/1988/48/contents
Goldenfein, J., & Hunter, D. (2017). Blockchains, orphan works, and the public domain. Colum. JL & Arts, 41(1).
Gürkaynak, G., Yılmaz, I., Yeşilaltay, B., & Bengi, B. (2018). Intellectual property law and practice in the blockchain realm. Computer law & security review, 34(4), 847-862.
Legge 22 aprile 1941, n. 633, “Protezione del diritto d’autore e di altri diritti connessi al suo esercizio”, Gazzetta Ufficiale. https://www.gazzettaufficiale.it/eli/id/1941/07/16/041U0633/sg
Peñuelas, L. (Ed.). (2013). Autoría, autentificación y falsificación de las obras de arte. Fundació Gala-Salvador Dalí, Polígrafa.
Real Decreto Legislativo 1/1996, de 12 de abril, por el que se aprueba el texto refundido de la Ley de Propiedad Intelectual, regularizando, aclarando y armonizando las disposiciones legales vigentes sobre la materia. Boletín Oficial del Estado, 97, de 22 de abril de 1996. https://www.boe.es/eli/es/rdlg/1996/04/12/1
3. BLOCKCHAIN AND TECHNOLOGY
Bacciu, C., Duca, A. L., & Marchetti, A. (2019, September). A Blockchain-based Application to Protect Minor Artworks. WEBIST, 319-325. https://doi.org/10.5220/0008347903190325
Huang, W., & Dai, F. (2019). Research on digital protection of intangible cultural heritage based on blockchain technology. Information Management and Computer Science (IMCS), 2(2), 14-18. http://doi.org/10.26480/imcs.02.2019.14.18
Liang, X., Shetty, S., Tosh, D., Kamhoua, C., Kwiat, K., & Njilla, L. (2017). Provchain: A blockchain based data provenance architecture in cloud environment with enhanced privacy and availability. 17th IEEE/ACM International Symposium on Cluster, Cloud and Grid Computing, 468-477. https://doi.org/10.1109/CCGRID.2017.8
Mucchi, L., Milanesi, M., & Becagli, C. (2022). Blockchain technologies for museum management. The case of the loan of cultural objects. Current Issues in Tourism, 25(18), 3042-3056. https://doi.org/10.1080/13683500.2022.2050358
Remme, A. M. R., Stange, S. M., Fagerstrøm, A., & Lasrado, L. A. (2022). Blockchain-enabled sustainability labeling in the fashion industry. Procedia Computer Science, 196, 280-287. https://doi.org/10.1016/j.procs.2021.12.015
Vacchio, E. D., and Bifulco, F. (2022). Blockchain in Cultural Heritage: Insights from Literature Review. Sustainability, 14(4), 2324. http://dx.doi.org/10.3390/su14042324
Whitaker A. (2019). Art and Blockchain: A Primer, History, and Taxonomy of Blockchain Use Cases in the Arts. Artivate 8(2), 21-46. https://doi.org/10.1353/artv.2019.0008
Whitaker, A., Bracegirdle, A., de Menil, S., Gitlitz, M. A., & Saltos, L. (2021). Art, antiquities, and blockchain: new approaches to the restitution of cultural heritage. International Journal of Cultural Policy, 27(3), 312-329. https://doi.org/10.1080/10286632.2020.1765163